Brothers

 "Loving you, baby child..."
Let me just start off by saying that I found out about The Black Keys WAY too late.  I consider myself pretty up to date with solid artists that are out there.  A couple of my friends had mentioned them and said how great they were and I had no idea who they were talking about.  A few times I actually said, "Do you mean The Black Kids?"  No, they didn't, The Black Keys are an entirely different band.  Their new album "Brothers" was one of the more highly anticipated albums for early 2010 and it did not disappoint.  The duo of Daniel Auerbach and Patrick Carney got high scores from reviewers such as Entertainment Weekly (83), Rolling Stone (80), and Pitchfork (77) with an overall Metacritic score of 81, putting it just into the range of a "great" album.

I was originally interested in The Black Keys because of their different rock sound.  At times they sound a little bit like The White Stripes (part of this is likely due to the guitar and drum combination) drawing certain influences from blues and other genres that Jack White has also including in his playing style.  The first album of theirs I listened to was "Attack and Release," which is a great album you should also listen too.  At first I was worried I wasn't going to find any hidden gems in "Brothers" because there are a few songs off of "Attack and Release" (2008) that I really enjoy (its one of the few albums I can listen to over and over again without getting sick of it).  "Brothers," however, undoubtedly has more gems.  This might be because it has four more tracks than "Attack and Release", but that's beside the point.  "Brothers" is easily the duos best album to date.

"Brothers" has an overwhelming feeling of love throughout the album.  Whether its family ties or romantic relationships, most of the songs on the album deal with love from one angle or another.  The Black Keys have released two music videos so far from this album, "Tighten Up" and "Next Girl."  "Tighten Up" can be argued as a sort of love ballad.  It has a fun, bouncy beat with some light hearted whistling at the start of the song.  Auerbach's vocals really help to emphasize a feeling of infatuation the person singing the song has for his "baby child" (arguably my favorite line in the song, mainly because it reminds me of Nicholas Cage in Kick Ass: Hit Girl: "Mhmm... but getting shot, Daddy... it hurt a lot more than when you did it." Big Daddy: "That's because I used low velocity rounds, child... he... he.."; Priceless).  The video they produced for the song even further emphasizes this point, not to mention its a hilarious, endearing video.  "Next Girl" has a bit of a different tone, talking about some whore or so I assume.  It has a heavier beat to it with Auerbach singing "My next girl will be nothing like my ex girl."  Clearly he's torn up about it and is bitter about the break so much so that he begins to blame himself for it.  However, he does see the light in the situation, claiming that "I made mistakes back then, I'll never do it again," and "That was a painful dance and I got a second chance."  The music video for this is out of this world.  Probably the best, most hilarious video I have ever seen in my entire life.  Where "Tighten Up" sort of put the song into context, this video does nothing of the sort.  I would describe it to you, but I'd rather you just watch it and be taken back (I'll include links to the videos at the end of the review).

After having watched both of those videos, I had no idea how hilarious The Black Keys were.  They're definitely an awkward looking bunch, what with Auerbach's mountain man beard and Carney's lanky, almost cartoon-like presence, and that's hilarious in and of itself, but these videos really bring a different light to the group.  However, in saying that, they also have a serious side that isn't in either of the videos they have released for this album.  The best example of this is "Never Gonna Give You Up," which is significantly better than Rick Astley's song of the same title.  This song talks about how the singer can't give up the girl he's with.  No matter what she does, no matter how she treats him, he will never give her up; she's like a drug and he can't quit her, sort of like how Jake Gyllenhaal can't quit Heath Ledger... well, I guess he can now, haha... too soon?  Anyway, the song really makes  you feel for the guy and Auerbach's vocals only strengthen the sentiment.  

Overall, "Brothers" is a solid album.  They manage to keep the flavor that makes them unique while still having a vast amount of variety within the album itself.  Each song has its own personal message and each one can mean a lot to someone.  My personal favorite song off of the album would have to be "Ten Cent Pistol."  It is by far the most unique sounding song and has the most interesting subject matter.  The steady and subtle drum beat accompanied by the twangy guitar riffs almost hearken to a Western sort of atmosphere.  The album also does a good job of setting up a sort of story and atmosphere, starting with the upbeat "Everlasting Light" and ending with the very slow and somber "These Days."  The Black Keys keep true to their roots through "Brothers," yet manage to bring back the unique sound we heard in their 2004 release of "Rubber Factory," their highest reviewed album to date until "Brothers" was released (both scored an 81).  I would highly, highly recommend this album to anyone who has yet to listen to The Black Keys.  It is easily the best album they have ever released.  They seem to be getting more popular as well, which makes me happy, I just hope they don't pull a "Kings of Leon."  I give the album a 92/100.  Take a listen to it here.

 "Tighten Up" video
"Next Girl" video

Friendship Can Sometimes Be a Battle

So, I decided that maybe I should write about something a little different... 

I'm feeling like I just need to write something, you know?  I just got a pretty big hit from a really close friend of mine (no need to say who it is, that wouldn't be fair).  This is, after all, my blog, so I have grounds to say what I want to.  Hell, not a whole lot of people look at this blog anyways (probably because I haven't written anything in forever, haha), so what the hell.  

Friendship is tough.  You have to put a lot into a friendship in order for it to work out.  You put yourself completely on the line.  You entrust secrets to them, you open up and let them see who you really are.  Some friends you'll have forever, and some you won't.  Some friends will just sort of fade away into the background and others will stick around forever.  I'd love to think that all of my friends will be there forever.  I'd love to think that the same five guys I've always wanted as my best men will be standing on the altar with me when I eventually get married.  This may or may not happen, but we'll see.  Some times though, friends surprise you.  Some times friends don't trust you as much as you trust them; some times they don't open as much as you do; some times they keep things from you.  Friends are great, but they also leave you incredibly vulnerable.  Out of all the people I have met in my life time, (friends, family, enemies, etc) out of all of those people, if anyone wanted to hurt me, wanted to destroy my life as I know it, my friends could do it.  As much as I hate to do it, I have to quote Jimmy Fallon: 

"'Okay, I got it beat, I got it beat.  My buddy from high school is coming up, he's going too be my room mate, it's going to be awesome.'  No, that is never awesome, it doesn't work out.  Hate to tell you, you will fight each other.  You will just get, you will get, I'll tell you why.  One reason is because they have too much dirt on you.  Your friend from home has too much dirt on you, they'll kill you, they'll crush you in an argument for no reason.  Like, you just say, 'Hey man, uh, these dishes have been in the sink for like two weeks man, and they're your dishes.  Are you going to clean them?'  'Yeah, remember when you had crabs in sixth grade?'"

I'd also like to note really quick that I had to re-write those lyrics out because the person who originally typed them up is by far the epitome of bad grammar and spelling (I literally threw up when I read it.  "Literally?  Well, no, not literally. That's disgusting.")  Check it out here.  Friends, if they wanted to, could crush you.  I know I've done it before and I know my friends have done it to me.  Its fun sometimes.  You have that trust with each other.  Its nice to know that you have just as much dirt on your friends as they do on you.  It's sort of what I've always thought about sleeping with a boyfriend or girlfriend or something.  You are most vulnerable when you're sleeping and I just think its great for two people to trust each other enough to be in their most vulnerable state with one another.  

Sometimes friends can really hurt you though.  Whether its intentional or not, it happens.  Some times they're just trying to defend themselves; makes sense, survival of the fittest, I guess.  You have to try to remember those good times you had though.  I know its hard to forgive and forget, but it will happen eventually.  Right now what I'm dealing with is that I'm trying to remember the good times, but after what has happened, I'm starting to think, "Were those really good times or were they just good times to me?"  You have to think that if something goes wrong in a friendship, when did it happen?  When you're blindsided by something like that you have to think, "Have they felt this way from a few days?  Weeks?  Months?  Years?"  Stuff like that is tough to deal with because then you start questioning how real the friendship is/was.  As of right now, luckily, I'm not second guessing the entire friendship and I hope I don't get to that point.

Anyway, we'll see what happens with this whole ordeal.  Hopefully it will work out and what I've said will get through and won't have too much damage.  I tried to be as fair as possible in what I said, saying what I needed to without sugar coating it or being mean.

Within the next week I hope to write a few things on here.  I have a post in waiting about three different things: American History X, Breaking Bad, and Bioshock 2.  I also want to write a few music reviews about a couple of albums.  The first is the new The Black Keys album, "Brothers."  The second is The Noisette's "Wild Young Hearts."  Within this month, I want to write another "Guilty Pleasures" post because I've come up with a few more.  This month is almost up, so that will hopefully be within the week too.  Thanks for reading.

-Hugh

Guilty Pleasures

You know you have one...

So, everyone knows that, as far as music goes, they have some sort of guilty pleasure that they like listening too.  I, myself, have multiple.  You know, its that band/ singer/ rapper that you always make fun of, but you actually like listening to their music because... well, its fun.  This is a huge confession for me, so here we go.  I'll list three guilty pleasure in particular: one singer, one band, and one rapper.  Lets start off with my earliest guilty please that came when I was in the 4th grade, Britney Spears.  Ugh, I even feel bad about typing that out, it just doesn't feel right!  I feel so dirty.  Anyway, moving along, I first was drawn to Britney Spears, as most prepubescent boys were, after she released her "Baby One More Time" video. 

Seriously, how can a twelve year old resist that?  Man, did she look good when she wasn't crazy and was a virgin... well, that last point is up for debate.  This guilty pleasure with Britney only got worse when she actually decided to "embrace" her sexuality and womanly body with singles such as "I'm a Slave 4 U" and "Toxic" (I still listen to "Toxic" from time to time).  As if things weren't bad enough for my now early teenage mind, she had to go out onto the MTV Music Video Awards wearing next to nothing performing, of course, "Oops, I Did It Again."  Stuff like this just wasn't fair.  Did I mention a few years later she made out with Madonna live?  In addition, it didn't help that watching her music videos to see her shake around got her songs stuck in my head.  Thankfully, Britney went crazy and let herself go, also freeing me from her trance.  Plus, I've found a better substitute for her anyway, Beyonce.  Now she's classy.

Now, you may be thinking, "WOAH!  Hugh's music credibility totally just went out the window!"  Well, let me show you just how far out the window my credibility is going.  The band: Fall Out Boy.  Now that you've taken a minute to throw up and clean yourself off, let me continue.  I don't listen to them as much (not that I listen to Britney very frequently), but I used to be pretty into them... well, as much as a high school sophomore can be into bad music.  Fall Out Boy has to quite possibly be one of the most annoying bands in the world.  They sound pretty terrible and their song names are obnoxiously long.  They later realized that and tried to make them shorter, however, not in that simple way which uses less words.  No, not for Fall Out Boy.  They decided to uses less vowels, seven less to be exact.  "Thks Fr Th Mmrs" is quite possibly the stupidest song title I have ever heard.  I guess I wouldn't necessarily call Fall Out Boy a guilty pleasure... they're more like a person I really regret dating.  You know, the one with the hump and the lazy eye that you met online and then saw them at Starbucks, thought they looked good, but that was only because you were blinded by the sun coming in from the window behind them,  and agreed to see them again only to later discover that they had a mustache?  No?  Well... that's Fall Out Boy.

I really think for the last guilty pleasure I could list an endless amount of people.  Lil Wayne is pretty terrible, but actually isn't bad half the time and has some pretty heartfelt songs (this is not including his recent travesty "Rebirth," which is quite possibly already the worst album of the year).  I thought it could be The New Boyz because theur hit single right now is pretty sub-par, but the rest of their album is actually really solid and pretty funny at times.  I could say Ludacris, but to his credit, he's actually really good even though he's pretty mainstream.  I could say Lil Jon, but everyone knows I can't say that.  Hmmm... well, I guess I'll just have to settle with, get ready for this, the Ying Yang Twins.  I only have a few of their songs, yes, but when they come on, I'm diggin' it.  Anybody who can come up with lyrical genius such as "Boom!  Its on! Bitch n***** we'll rock your dome!" or a chorus that consists of "beat the pussy up" is definitely a guilty pleasure in my book.  The Ying Yang Twins really got their start from doing "Get Low" with Lil Jon.  After that, they didn't do much... well, except for host an episode of Cribs.  

Probably THE worst thing they do is this honking noise.  The only way I can describe it is a goose honking, no joke.  Also, this picture shows what they look like when they make the noise.  Here's an example of it at the start of their song "Salt Shaker."  The only thing that saves this song is Lil Jon being misogynistic.  Oh, Lil Jon.

EDIT: I just stumbled upon this and I have to share it with you.  This may be my new favorite song. 

Just so I can redeem myself a bit, I want to toss out a bit of "good stuff" I've been listening to lately.  The Gorillaz's "Plastic Beach" is a great album, and I would highly recommend it.  They've really moved towards a more hip-hop feel which "A" Class names guest starring on the album, Snoop Dogg and Mos Def among them.   The New Boyz's album "Skinny Jeans & A Mic" is surprisingly fun and entertaining (they sound a lot like the Midwest hip-hop group The Cool Kids, actually referencing them in their song "Colorz"). 

Things I'm about to listen to are Usher's new album "Raymond v. Raymond" and Titus Andronicus' "The Monitor."  I'll update you with those as soon as I can.

So, what's your guilty pleasure?

Just some thoughts

I haven't gotten around to writing a whole lot lately and I really want to start back up again.  I'll probably do another music review around the corner at some point here, but for now I just want to talk about... stuff.  I wanted to note an artist in particular I've been thinking about a lot lately: Eminem.  A whole lot of controversy swirls around Eminem, but regardless, I think he's an incredible rapper.  Yeah, he's losing a bit of his flair and originality, but he's still a lot of fun to listen too.  An album that's grown on me a lot is "The Marshall Mathers LP" mainly because its when he was at his prime.  He was still the angsty, angry white rapper that he stepped into the spotlight as in "The Slim Shady LP" and is just starting to realize his potential which was most clearly seen at the height of his career in his 2002 release "The Eminem Show." 

The first time I heard Eminem was at Sam Goody,  an old music chain that was shut down a few years ago.  They played music videos in the store a lot, most of them didn't catch my attention at a whopping ten-years-old, but Eminem's video for his first hit single "My Name Is" is an animated cartoon.  Automatically I remembered Eminem.  The next time I experienced Eminem was through his appearance on Dr. Dre's song "Forgot About Dre."  This was actually the first rap verse that I learned and I learned it in 6th grade.  "Now days everybody wanna talk/ But they got nothin' to say/ 'Cause nothin' comes out when they move their lips/ Just a bunch of gibberish/ Well, mother fuckers that's because the forgot about Dre."  Even now I still remember it. 

After this I payed attention to him a little bit, but not a whole lot.  It wasn't really until about the release of "The Eminem Show" that I really started to listen to Eminem.  I memorized all the words to "The Real Slim Shady"  and I knew at least the chorus to several other songs.  After his "Encore" release in 2004, however, I started to get a little annoyed with Eminem.  He had started moving towards the pop scene; his songs didn't have that same edgy and angry feel that I loved; I started to really get annoyed with him.  "8 Mile" didn't really help either, seeing as how he had blown up into this mainstream artist.  Everyone was asking me if I had heard of Eminem and I was getting sick of it because I had started listening to him about 5 years earlier.  I stopped listening to Eminem for a long time

It wasn't until last year, my freshman year in college, that I remembered him.  He hadn't done anything in a long time and part of me was happy about that.  I went home the same day I thought about him and I got a few of his older albums, "The Marshall Mathers LP" among them.  Not until I actually listened to this album all the way through did I realize that I had actually already listened to it a long time ago.  At one point in time, a friend of mine bought it, listening to it over and over again, the song "Criminal" in particular.

I've started listening to Eminem again more recently and "The Marshall Mathers LP" has really impressed me.  Lyrically, Eminem has always been great.  His controversial subject matter has always pushed the envelope, Eminem even goes as far to add recorded phone messages from his producer on his album saying how he doesn't know how he's going to sell the album.  Eminem has always had a knack for being a comedian, but its really his hard, edgy approach to rap that makes him great. He not only pushes the social boundaries for rap content, but he pushes it personally.  He talks about killing his ex-wife, Kim, and bringing his daughter Hallie along while he does it.  On another note though, in "Stan," he acknowledges the sort of effect that his music can have on people and tries to tell  them that its just him messing around.

I don't think that Eminem is the best rapper of all time, but he's definitely in my top 5 personal favorite rappers.  He's a lot of fun to listen to and if his angry and often disturbing lyrical content doesn't bother you, I would definitely recommend listening to him.  He's not like many other artists and in all honesty, there haven't been any other white rappers have even come close to Eminem's success.  His newer stuff isn't great, but some of it is still worth a listen.  Out of all of his albums, I would recommend "The Marshall Mathers LP" and "The Eminem Show" because that is the true Eminem that originally rose to fame out of Amityville.

Blog Battle?

So it turns out that my friend Colin at Adrift and At Peace has decided to derail my recent Spoon reviews saying that I'm defending them "based on a number of arbitrary criteria that don't seem to have a whole lot to do with the music Spoon released..."  Fair enough, fair enough.  I'm not saying that Metacritic is the be all and end all of music reviews, however, they are a credible source for them.  They average reviews from several credible sources and give listeners a mean to go off of.  I know that I personally use it not only as a way to figure out if I should spend my time on a certain video game based upon several credible sources, but I also use it to find new artists that have received high reviews (Fionn Regan, You Say Party! We Say Die!, and Citay among them).  Metacritic hasn't let me down so far and I'm going to keep using them and I would still recommend them to everyone.  It just so happened that their "Band of the Decade" turned out to be a band that has grown on me over the past three years.  

I would recommend that if you get a chance, read Colin's review of TV on the Radio's "Return to Cookie Mountain."  Seeing as how I have listened to this, but am unable to review every single thing I listen to, he's a good source to go to as well.  I would argue him in concerns to TVotR being the band of the decade and I would even further argue "Return" being the album of the decade, however both are strong contenders.  I mainly took advantage of Metacritic naming Spoon as band of the decade as an opportunity to highlight some of their albums over the past ten years.  I will finish my three part review of Spoon with their 2010 release of "Transference," however, afterward I will do some research and come up with MY own choice for album of the decade and maybe we'll have another rebuttal from Colin.  Hey, this could be fun.  Either way, you're getting to know about more and more good music, right?  Keep watching, this could get interesting.

EDIT:  I've decided that narrowing down my album of the decade would be too difficult, so I'm going to split it up into a few different artists of the decade in their respective genres.  As of right now, I'm not sure how many I will cover, but I will definitely cover the following: Hip-hop/ Rap and Indie/ Alternative.  If anyone has any suggestions, let me know, and I will definitely take them into consideration.

Ga Ga Ga Ga Ga

Ga Ga Ga Ga Ga Ga Ga Ga Ga Ga Ga Ga Ga Ga Ga ga ga ga...

Time to move onto part two of three of my Spoon artist review.  This review is for Spoon's 2007 release "Ga Ga Ga Ga Ga" (great title, I know), the album that made me fall in love with them .  The album received an overall Metascore of 84, with a 91 from Entertainment Weekly and an 80 from Rolling Stone (much better than the 60 Rolling Stone gave "Kill the Moonlight").  Although Spoon's rating from "Kill the Moonlight" drops a bit, they still fall within the "great" standing with "Ga Ga Ga Ga Ga".  They still keep their unique style, balancing a rock and ambient styling.  The opening song, "Don't Make Me A Target," really eases you into their style with a slow rock beat that reminds you of the Spoon you heard in "Killing the Moonlight."  The lyrics in this album are still creative with verses such as "Here come a man from the star/ We don't know why he goes so far/ And he keep on marching along beating his drum."  Spoon still manages to keep this song relatively minimalistic with their lyrics.  Its not a huge ballad song, but the song stretches itself out with various instrumental segments (one piano piece in particular that speeds up the tempo of the song) and simple, yet deep lyrics.

The pace of the album keeps sort of a medium pace for the next few songs and then gets a little groovy with "Don't You Evah."  This song for me really expresses who Spoon is as a band.  They have fun playing music; they mess around with their sound, but still keep true to who they are; they care about making music and love it.  Lyrics such as "Bet you never think it feels right/ Famous-sounding words make your head feel light" really express how Spoon feels (or so I can imagine).  They experiment with their sound constantly and some times its sounds a little weird at first; you don't really feel like they're still Spoon; you don't feel like they're keeping true to themselves.  In the end though, its still the same old Spoon I love to listen to and their "famous-sounding words make [my] head feel light" (cheesy, cheesy, I know, I know). 

To really emphasize how much Spoon likes to experiment with their music, you have to listen to "Eddie's Ragga."  At the beginning of the song there's a few sound effects and some synthesizing.  Throughout the song, the sound effects drop out, but the synthesizing creeps in every now and again like a ghost.  Furthermore, Daniel's sings two different tracks instead of having a back-up vocalist which gives the song a sort of eerie feel.  The double voice over of Daniel really bring his style of singing out and this is really his song of emphasis on the album.  "Eddie's Ragga" leads into a trumpet accompanied song, "The Underdog," which really gives Spoon that alternative rock feel.  However, right after this, Spoon plays another sort of "out there" experimental song, "My Little Japanese Cigarette Case."  This song has many voice over tracks with Daniel, much like in "Eddie's Ragga."  This song, if any on the album, has a very minimal amount of lyrics, with only six lines of lyrics that are repeated throughout the song.  The instrumentals within the song are very diverse and include a few instruments that aren't common to the band (a sitar-esque instrument comes in towards the end of the track).  

The ninth track on the song definitely shows that Spoon can be more complex lyrically.  "Finer Feelings" talks about how many people, lacking love in their lives, often look for it in other places.  In concerns to this song, they look for it through commercialism: "Sometimes I think that I'll find a love/ One that's gonna change my heart/ I'll find it in Commercial Appeal/ And then this heartache will get chased away."  This verses make it seem as though this song is really personal to Daniel.  He makes it sound as though he's been looking for love everywhere and then suddenly, when he "was dreaming in the driver's seat/ When the right words just came to [him]/ And all [his] finer feelings came up."  Although commercial appeal could stand for a material love, it may also be the case that "Commercial Appeal" is a sort of code word for a person.  Spoon really pours themselves into this song, much more so than any of their other songs.  The personal tone, however, is not solely within "Finer Feelings," but there is also a very personal touch in the final song of the album, "Black Like Me."  The sole line that expresses this is repeated several times throughout the song: "I'm in need of someone to take care of me tonight."

Although Spoon tends to successfully have very minimalistic lyrics like in "My Little Japanese Cigarette Case," in this album they show that they can also have very personal and complex lyrical songs like "Finer Feelings" and "Black Like Me."  This album doesn't have the same vast diversity in playing style and sound like "Kill the Moonlight", Spoon manages to find a tone that fits them and they seem to not be experimenting around as much.  However, this experimental aspect of Spoon that has really helped them to stand out, has not completely disappeared and can be seen in songs like "Eddie's Ragga" (which would have to be my favorite on the album).  Again, although weaker than "Kill the Moonlight," Spoon still produces a strong album and continues to produce quality music.  Overall,  I'll have to give Ga Ga Ga Ga Ga an 88.

Kill the Moonlight

"One of these days Alice, pow!  Straight to the Moon!"

Let me first start this by reiterating that Spoon is Metacritics band of the decade from 2000-2009.  Now, let me explain to you what they had to do to achieve that standing.  There are three criteria to be in the running for band of the decade: (1) The band must have released at least 3 albums from 2000-09; (2) At least two of those albums must be "great" (a Metascore of 81 or higher); and (3) the average (mean) Metascore for all of their releases from the decade must also be an 81 or higher.  In saying that, Spoon edged out the next closest competitor, Sigur Ros, by 1.8 points.  They released a total of 4 albums within this time, all 4 of them receiving a "great " status.  The last album to my three part review (Transference), however, was released in February of 2010 and is not included within the decade score.  In saying that, onto "Kill the Moonlight."

"Kill the Moonlight" is the best reviewed album of the decade for Spoon, receiving an overall Metascore of 88 in 2002, receiving a perfect score of 100 from Entertainment weekly and an 80 from Billboard.  If anybody has ever heard a Spoon song, its most likely from "Kill the Moonlight."  The song they've heard?  The upbeat, fun-loving, "The Way We Get By".  After hearing this song, most would assume Spoon to be one of those upbeat alternative-rock, slightly indie bands, however, if anyone has ever listened to any of their albums, they would know better.  The thing that makes Spoon so great is not only their variety in song "feeling", but playing style.  

One minute, you listen to "Jonathon Fisk" and definitely get a rock feel from them, with a constant guitar strum in the background accompanied by a four count drum beat. The lyrics "Just like a knife, down on my life/ so many ways to set it right" in particular have that rock feel.  However, if you listen to the song just before that, "Stay Don't Go," you would almost think you're listening to an entirely different band were it not for lead singer Britt Daniel's unique singing style.  "Stay Don't Go" definitely has more of a trance feel with some simple synthesizing and a looping beat box in the background, which, surprisingly, never gets irritating.  When compared to the complicated lyrics of "Jonathon Fisk," the lyrics of "Stay Don't Go" are surprising minimalistic, the chorus consisting of only three lines: "Confession is stay don't go/ ooh it is/ ooh let's stay don't go."  Spoon manages to keep their own unique flavor and radically change their playing style at the same time, which makes them such a joy to listen to over and over again.

Remember the rock feel I said you got from "Jonathon Fisk"?  Well, that changes immediately afterward with "Paper Tiger."  In this song Spoon has a hybrid of "Jonathon Fisk"'s complicated lyrics and the minimalist style of "Stay Don't Go."  There are only two verses and the chorus, the chorus only said twice, once after the first verse and once before the second.  The band gives you a break in between verses with a repetitive, yet ambient instrumental section.  "Paper Tiger" definitely gives Spoon that softer feel that compliments their more upbeat songs like "The Way We Get By" and "Someone Something".  Balancing out the upbeat rock songs is the more ambient, almost dark toned "All The Pretty Girls Go To City" (which is competing with "Stay Don't Go" for my favorite song on the album).  The song definitely has a bouncy quality with the running bass line, the accompanying piano, and Daniel's repetition of "do d-do d-do".  The way Daniel sings the lyrics makes it sound like sort of a fun, bouncy song, but the lyrics reveal that the song is about young girls going out to the city acting older then they are.  Although the lyrics are subtle and simple, they're poetic in the sense that the say so much with so little.

The last song I have to talk about is "Vittorio E."  This song tops out the album perfectly.  It gives you the feeling that you're almost watching the band rehearsing before a show.  Daniel counts out the beat before hand; the guitarist loses count and has to start over; Daniel's voice echos like he's in an auditorium or studio.  The song later picks up a bit and gives a more lighthearted feeling; the choir chimes in late, almost reminiscent of The Beatles "Because".  The song progresses into a final piece, not just some jam session between the band members.  This song really helps to balance their rock vs. softer feel along with "Paper Tiger" and others.

Other tracks that I love that I couldn't get around to are "Back to Life," "Don't Let It Get You Down," and "You Gotta Feel It."  In all honesty, every song on this album is great and I'm sad that I can't talk individually about each song.  However, each song I talked about should give you a good feel for the album and the band itself and hopefully will convince you to give it a listen.  Overall, I give the album a high score of 95.  Its perfect in almost every way.  Here's to Spoon and here's to the first third of my defense as to why they're the best band of the decade.